Archive for Mindskull

Nova Seed – Nick DiLiberto – 2016

Posted in 2010's with tags , , , , , , , , , on December 23, 2016 by bookofdread

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What is Nova Seed? Nova seed is the most spectacular film of the year. It is a mind-melting cornucopia of psychedelic animation not seen since the early eighties. Films like Rock and Rule and Heavy Metal are obvious forebears, but there are nods to nearly everything from the era such as Masters Of The Universe, Thundercats, and GI Joe The Movie.

But unlike those commercials for soundtrack albums and action figures, Nick DiLiberto’s opus grande is built from the ground up out of his imagination, melding video games and cartoons from his cerebral cortex into a sight never seen before.

Gone is the slick mass produced animation that can only be harnessed by a firm of artists. DiLiberto drew every single frame of the picture and the passion shows. Camera angles whiz around characters mid free-fall, the artist not content to show his viewers anything less than the most cinematic approach.

The story concerns a half Lion man who escapes from a fascist regime who may be the only hope in stopping an evil necromancer from destroying the Earth with the help of a powerful weapon/(individual) called The Nova Seed.

The film hurtles along like one long chase sequence, leaving little time for character asides or monologues. However, characters are frequently talking and characterization is often provided in the stellar voice work of, you guessed it, DiLiberto.

The villain, Doctor Mindskull is one for the ages. Part Skeletor, part Cobra Commander and part Mok, Mindskull is the ultimate reprobate, a mad scientist whose plan involves becoming a giant trash beast and wrecking shop.

Our hero, the Lion man NAC, (Nick?) is the strong silent type, but his animation is so heroic and charming, you can’t help but love the guy. Also, he’s putting his neck on the line for a world that wants him dead so he’s got that Snake Plissken element to him if Snake never talked and was a big Lion Man.

The action is non-stop. The aerial battles are clearly love letters to Miyazaki and produce a thrill that could only be improved with 3D. The big Kaiju action at the end is Toho inspired sequence that will leave any monsterphile giddy.

The soundtrack is an incredible confection of eighties sounding synth composed by some guy named Nick DiLiberto. It’s brilliant in it’s own right and makes the film a fever dream of adrenaline.

Here’s the best thing about Nova Seed. Because DiLiberto wrote, directed, voiced, and scored the thing, and because it’s animated, it’s about as close to falling into a single imagination as I have ever seen. There are no studio notes, nothing to fix. There are all rough edges and idiosyncrasies. It’s that special film that makes it from mind to screen as purely as possibly. We need more like it.

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